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Skin Acts
Surface as contact, pressure, and trace
Works
About
Skin Acts treats the canvas as a porous, bodily surface—unstable, absorbent, and in motion. Pigment is poured, dragged, and embedded, leaving traces that register contact and pressure. Layers conceal and reveal, holding tensions between presence and erasure. Painting becomes a site of encounter where body and surface meet, and where form arises through processes of saturation, dissolution, and continual change.
Work Details
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